Depression glass is clear or colored translucent glassware that was distributed free, or at low cost, in the United States around the time of the Great Depression. The Quaker Oats Company, and other food manufacturers and distributors, put a piece of glassware in boxes of food, as an incentive to purchase. Movie theaters and businesses would hand out a piece simply for coming in the door. Most of this glassware was made in the central and mid-west United States, where access to raw materials and power made manufacturing inexpensive in the first half of the twentieth century. More than twenty manufacturers made more than 100 patterns, and entire dinner sets were made in some patterns. Common colors are clear (crystal), pink, pale blue, green, and amber. Less common colors include yellow (canary), ultra marine, jadeite (opaque pale green), delphite (opaque pale blue), cobalt blue, red (ruby & royal ruby), black, amethyst, monax, and white (milk glass).
Antique Depression Glass ( Part-1) Price Guide
Depression glass is clear or colored translucent glassware that was distributed free, or at low cost, in the United States around the time of the Great Depression. The Quaker Oats Company, and other food manufacturers and distributors, put a piece of glassware in boxes of food, as an incentive to purchase. Movie theaters and businesses would hand out a piece simply for coming in the door.Most of this glassware was made in the central and mid-west United States, where access to raw materials and power made manufacturing inexpensive in the first half of the twentieth century. More than twenty manufacturers made more than 100 patterns, and entire dinner sets were made in some patterns. Common colors are clear (crystal), pink, pale blue, green, and amber. Less common colors include yellow (canary), ultra marine, jadeite (opaque pale green), delphite (opaque pale blue), cobalt blue, red (ruby & royal ruby), black, amethyst, monax, and white (milk glass).
Antique Daum Price Guide
Daum is a crystal studio based in Nancy, France, founded in 1878 by Jean Daum. His sons, Auguste Daum and Antonin Daum, oversaw its growth during the burgeoning Art Nouveau period. Currently Daum is the only commercial crystal manufacturer employing the pâte de verre (glass paste) process for art glass and crystal sculptures, a technique in which crushed glass is packed into a refractory mould and then fused in a kiln.During the Universal Exhibition of 1900 Daum was awarded a ‘Grand Prix’ medal. Daum glass became more elaborate, acid etching was often combined with carving, enamelling and engraving on a single piece of glass to produce creative glass master-pieces. The most complicated creations also feature applied glass elements, such as handles and ornamental motifs in naturalistic forms.
Antique Cut Glass ( Part-2), Crackle Glass, Cranberry Glass, Crown Milano and Czechoslovakia Glass Price Guide
Cut glass” is glass that has been decorated entirely by hand by use of rotating wheels. Cuts are made in the smooth surface of the glass by holding and moving the piece against various sized metal or stone wheels. The cuts are made very carefully to produce a predetermined pleasing pattern. Cutting may be combined with other decorative techniques, but “cut glass” usually refers to a glass object that has been decorated entirely by cutting.
Antique Cut Glass ( Part-1) Price Guide
Cut glass” is glass that has been decorated entirely by hand by use of rotating wheels. Cuts are made in the smooth surface of the glass by holding and moving the piece against various sized metal or stone wheels. The cuts are made very carefully to produce a predetermined pleasing pattern. Cutting may be combined with other decorative techniques, but “cut glass” usually refers to a glass object that has been decorated entirely by cutting.
Antiques Carnival Glass Price Guide
Carnival glass is moulded or pressed glass, always with a pattern and always with a shiny, metallic, ‘iridescent’ surface shimmer.The keys to its appeal were that it looked superficially like the very much finer and very much more expensive blown iridescent glass by Tiffany, Loetz and others and also that the cheerful bright finish caught the light even in dark corners of the home.A wide range of colours and colour combinations were used but the most common colours accounted for a large proportion of output, so scarce colours can today command very high prices on the collector market.Carnival glass has been known by many other names in the past: aurora glass, dope glass, rainbow glass, taffeta glass, and disparagingly as ‘poor man’s Tiffany’. Its current name was adopted by collectors in the 1950s from the fact that it was sometimes given as prizes at carnivals, fetes & fairgrounds.
Antique Cambridge Glass (Part-3) and Cameo Glass Price Guide
The Cambridge Glass Company was chartered in 1873 by a group of Cambridge, Ohio, businessmen. But it was not until 1899, when the site was purchased by the newly formed National Glass Company, that funds became available to start the construction of this new glass factory. [Read more…]
Antique Cambridge Glass ( Part-2) Price Guide
The Cambridge Glass Company was chartered in 1873 by a group of Cambridge, Ohio, businessmen. But it was not until 1899, when the site was purchased by the newly formed National Glass Company, that funds became available to start the construction of this new glass factory. [Read more…]
Antique Cambridge Glass (Part-1) Price Guide
The Cambridge Glass Company was chartered in 1873 by a group of Cambridge, Ohio, businessmen. But it was not until 1899, when the site was purchased by the newly formed National Glass Company, that funds became available to start the construction of this new glass factory. [Read more…]
Antique Burmese Glass,Buffalo Pottery and Bristol Price Guide
Production of the original Burmese glass lasted only a brief period at the end of the 19th century, but its legendary beauty has endured through more than a century of collectors.Burmese was a blown glass which traveled in the company of a number of other notable wares with enchanting names. For a time the shapes and colors of Amberina, Agata, Peachblow, Pomona, and Burmese charmed the Victorian public like no other glassware.